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Roberta Mameli

Born in Rome, Roberta Mameli graduated in singing at the Nicolini Conservatory in Piacenza and in violin, followed by Masterclasses with Bernadette Manca di Nissa, Ugo Benelli, Konrad Richter, Claudio Desderi, Enzo Dara.

She is regularly guest of the most important opera theaters and music halls as: Konzerthaus and Theater an der Wien in Wien, Concertgebouw in Amsterdam, Cité de la Musique in Paris, Staatsoper Unter den Linden in Berlin, Teatro Comunale in Bologna, Maggio Musicale Fiorentino and Teatro “La Pergola” in Florence, Auditorium of Lyon, Gran Teatre del Liceu in Barcelona, Teatro Regio in Turin, Victoria Hall in Geneva with famous conductors as Claudio Cavina, Christopher Hogwood, Fabio Biondi, Jordi Savall, Daniele Callegari, Federico Maria Sardelli, Ottavio Dantone, Ryo Terakado, Alan Curtis, Diego Fasolis, Jean-Luc Tingaud, Leonardo Garcia Alarçon, Jeffrey Tate, Claudio Abbado.

Much in demand for the Baroque repertoire, Roberta Mameli works with several ensembles on period instruments as Cappella Cracoviensis, Accademia Bizantina, Le Concert des Nations, La Venexiana, Modo Antiquo, Europa Galante, Stuttgarter Kammerorchester, I Barocchisti, Cappella Mediterranea, Akademie der Alte Musik.

Highlights of her career include: “L’incoronazione di Poppea” (Nerone e Poppea), “Il ritorno di Ulisse in patria” (Minerva) and “Orfeo” (Musica ed Euridice) by C. Monteverdi with La Venexiana, “Teuzzone” (Cino) by A. Vivaldi with Le Concert des Nations and J. Savall, “Così fan tutte” (Dorabella), “Le Nozze di Figaro” (Susanna) and “Don Giovanni” (Donna Elvira) by W.A. Mozart with R. Terakado; “Nozze di Figaro” (Susanna) by W.A. Mozart at Opernhaus in Kiel; “Orlando” (Angelica) by G.F. Handel, “Catone in Utica” (Cesare) by A. Vivaldi (recorded for Naïve) with il Complesso Barocco and A.Curtis; “Orlando Furioso” (1714) by A. Vivaldi with Modo Antiquo and F.M. Sardelli (recorded for Naïve); “Serse” (Atalanta) by G.F. Handel with J.Ch. Spinosi; “Armida” (title role) by T. Traetta with I Barocchisti and Diego Fasolis; “Alcina” (Morgana) by G.F. Handel and “L’incoronazione di Dario” by A. Vivaldi with Ottavio Dantone; “Dido and Aeneas”(Belinda) by H. Purcell with F.M. Sardelli; “La scola de’ gelosi” (Ernestina) by A. Salieri with l’Arte del Mondo (recorded for Sony); “Didone abbandonata” (title role) by L. Vinci with l’Orchestra del Maggio Musicale Fiorentino.

Her recordings are for: Naïve, CPO, Glossa, Bongiovanni, Nibiru, Airos, RAI 3, MEZZO, Brilliant Classics, Dynamic, Sony (DHM) e Alpha.